My short story, “The Bald Man”, can be found only in The Crossover Alliance’s new anthology, Superheroes, which is out TODAY! You can order digital editions in almost any format directly from them, or you can find the paperback and kindle version from Amazon. Nook lovers out there, you’re not left out in the cold, either. Barnes and Noble has the epub, as well as the paperback, if you want to get it there.
Short on cash? Enter the rafflecopter giveaway, and you might win a free digital copy of this anthology, plus even more!
Like to listen to stories? The Untold Podcast has a free audio edition of one of the stories in this anthology, “The Trojan Initiative” by Clayton Webb.
For more information on The Crossover Alliance and what kind of books they publish, click on their logo below:
I mentioned in a previous post that I had a goal of finishing both The Complete Short Stories of Ernest Hemingway and Bradbury Stories: 100 of His Most Celebrated Tales over the course of the year by reading at least two stories from each per week. So far I’ve read ten from Hemingway and eleven from Bradbury, so I’m ahead of my goal.
I’m not totally inexperienced with either of these writers, though I’ll admit to not having investigated their work as much as I should have. Before this year, I had read Hemingway’s For Whom the Bell Tolls, The Old Man and the Sea, a handful of his short stories, and Ernest Hemingway On Writing, a book published posthumously collecting a bunch of quotes about writing he made over the course of his career. For Ray, it was Fahrenheit 451 (an inevitable favorite, as I’m a huge dystopian fan AND a huge book fan, so there you go) and Something Wicked This Way Comes (in which I was a little disappointed, I’m afraid).
The title of this post is “Hemingway vs. Bradbury.” Of course it really isn’t fair to pit the writers against one another, but of course going into a book you can’t help but have certain expectations. And one of those expectations I had was that Hemingway’s stories would be “better” literature than Bradbury’s, while Bradbury’s would be more fun to read. I was wrong (about the first assumption).
Hemingway is a master at inner conflict, human nature (emphasis on the man), and epiphany, of course, but none of his stories have floored me yet like Bradbury’s. “Lafayette, Farewell” and “The Rocket” nearly brought me to tears (okay okay, “The Rocket” really did bring me to tears…). Of course, to be great, a story has to do more than engage your emotions in some way, but it should do at least that, and while Hemingway’s whole shtick is melancholy and beautiful prose, Bradbury’s got ’em both in spades, as well as joy and the fantastical, whimsy and humanity. No disrespect to Papa, either, because he certainly deserves it. But I definitely went into Bradbury with my expectations inappropriately low. He’s amazing.
Now available on Amazon: Dark Horizons: An Anthology of Dark Science Fictionedited by Charles P. Zaglanis, published by Elder Signs Press, and featuring short fiction by—guess who—me!—among other very talented writers. And though I haven’t been able to confirm this for myself, as the closest one is over 300 miles from me, Zaglanis announced on his Facebook page a while back that Barnes & Noble has agreed to stock the book in their stores.
I’m proud to have my story “Drifting Into the Black” reprinted in this very nice volume next to other good fiction by various authors, including James Dorr. Everyone, please get a copy for yourself!
Hey, Tim here–Elder Signs Press is publishing an anthology this fall called Dark Horizons.
They have released the Table of Contents on their website. You might check it out. Maybe you’ll recognize one of the names.
Ever since I was assigned to read Orwell’s 1984 in high school, dystopian fiction has been one of my favorite literary genres. With The Hunger Games and Maze Runner series having captured American pop culture’s admiration, dystopian lit (or, at least, YA dystopian) is now a favorite of many others.
Before YA Dystopian was as big as it is today, M. T. Anderson wrote Feed, published in 2002 by Candlewick Press (in 2012, they released a newer edition, pictured below, which I have not read–as far as I know, all they changed was the cover). Continue reading
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